AOL Moviefone gets Carter.

Ii always like to credit my sources , so I first read about this on the Back to Barsoom Facebook site. Originally from AOL Moviefone. – Jeff

It’s weird to think of a $200 million Disney event movie directed by the filmmaker behind “Finding Nemo” as a “lost” film, but that’s exactly what “John Carter” was. Based on a series of hugely influential, hundred-year-old pulp novels by Edgar Rice Burroughs, and flattened by the one-two punch of bad press and pour marketing, “John Carter” died a dog’s death at the box office this spring, despite being a deeply strange, wildly imaginative and hugely personal blockbuster. True, “John Carter” is a discombobulated mess, often times getting lost in a tangle of subplots and arcane terminology, but it works more often than it should, and has an easygoing, overtly earnest charm that’s hard to shrug off. Taylor Kitsch, from “Friday Night Lights,” plays the title role, a grumpy Confederate soldier zapped to Mars (that tired old story). Andrew Stanton, a Pixar veteran, made his live action debut with “John Carter,” and the action sequences have a zippy inventiveness befitting someone with an animation background (the script was co-written by Pulitzer Prize-winning novelist Michael Chabon), often resulting in bold, sometimes deeply unsettling decisions. Known primarily as an astronomical financial dud, “John Carter” will one day rightfully be recognized for what it truly is — an utterly winning cult classic.

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